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Interview
Manjula Gururaj - Interview
 
Manjula GururajManjula Gururaj, the melody queen of Karnataka, has made an indelible mark on the South Indian music scenario. Her name is synonymous with the song 'Olage seridare Gundu…' from the film Nanjundi Kalyana, that made her an overnight star. The drunken voice in the song was so natural that it enthralled Kannada cine-fans all over the state. She shares her memorable moments with bangalorebest.com.


Does one need to have a classical music background to sing in films?
Classical background supports singing, not only in films, but in any kind of singing. Voice culture is most important. Perfection is achieved once the pronunciation is proper.

Who initiated you into singing?
I started singing when I was just four. Music has come to me from my parents, who were also good musicians. I learnt Carnatic classical music and Hindustani music when I was just 12 or 13. Later, I learnt Western music… piano.

Your top song till date..
Olage seridare Gundu from Nanjunda Kalyana. That was a good break. Manjula Gururaj

Do you find it difficult to sing in, say, Malayalam?
No. Singers follow pronunciation easily. I agree, to sing in Malayalam is difficult. But I have not faced any problem till now. I can sing in any language with utmost ease.

The music directors you like working with…
Rajan Nagendra for their methodical working. Illayaraja for the perfection he always aims for. Vijay Bhaskar, Laxmikant Pyarelal, Bappi Lahiri… they are good. A R Rahman is innovative. I worked with him when he was just 16. Hamsalekha, the top music director in Karnataka, has a systematic method of working. Each music director has his own style. I've learnt a lot from them. Actually, it's a challenge to sing difficult songs, especially the gimmick ones which cannot be easily imitated. In 'Janumada Jodi' I sang like mad woman. The people liked it very much.

Manjula GururajThe female singers you admire most…
S.Janaki and Asha Bhosle have versatility. S.Janaki, in particular, can suit herself to any sequence. If you want to become a great singer, you should sing all types of songs. And that is what is S.Janaki's secret.

Your inspiration…
My first guru was my mother. My dad encouraged me to participate in competitions. I attribute my success in films solely to my husband. He encouraged me to sing for films.

Have you got anything to say about the sub-standard lyrics in Kannada songs?
Earlier, it wasn't like that. Nowadays, there are a lot of songs with double meanings, and too raw. I hate singing such type of songs. Sometimes, I suggest the lyricist change the words. If they refuse, I simply don't sing. I am very particular about Sahitya.

Are you pained when the songs that were sung by you are picturised badly?
There are many instances. In shooting, lyrics and dance steps don't match. Sometimes, the choreographers just spoil the mood of the song.

Manjula GururajIn Akasmika, you sang with Dr.Raj. The audio sales were amazing. How did you feel working with a great person like him?
I've sung many songs with Dr.Raj. I enjoyed working with him in his 200th film, Devatha Manushya. We have to learn a lot from him, especially his patience his politeness. He says, "God has given every man a talent. One should believe in himself and work towards reaching his goal." He doesn't lose his patience and he's very challenging to work with because he makes us feel satisfied. He has even taught me some songs. I had a great time, when I sang with him in Shabdavedhi,. He is forever learning and always polite. I call him 'Adarsha Manushya'.

How do you find working with your husband?
He is entertaining. We make a good pair. When we are on a tour, he takes up the responsibility of arranging the show and everything. He is very helpful.

Who introduced you in Telugu films?
Chakravarthy introduced me. For one year, I sang more Telugu songs than Kannada. Manjula Gururaj with familyYour most memorable recording…
When Rajan Nagendra called me for recording a song for a film. It was a great opportunity. Unfortunately, at that time, my son was serious. He had typhoid. We took him to a hospital and some junior doctor said he had a hole in his heart. I was shocked. Then I received a call from Rajan Nagendra urging me to go for recording. With a pained heart I did go for the recording and sang a happy song. When I came back to the hospital, I found my son hale and healthy.

Your international performances…
I have toured many foreign countries with my troupe. Both in 1996 and 1998, my troupe performed in the Kannada cultural festival - 'Pampa Kannada Utsav' in Detroit, U.S.A. The response was quite good.

Tell me more about Sadhana, your music school?
We have around 300 students learning vocal and different types of musical instruments like guitar and keyboard. We conduct workshops and invite talented singers to impart a few tips to our students. Last year, Illayaraja spent a lot of time with us and we gained a lot of knowledge from him.

Manjula Gururaj with husband GururajTips for becoming a good singer…
Your mind should be clear
You have to regulate your voice to suit the hero, heroine or the villain's voice
Avoid tensions
Meditation
Acoustics should be good
Mood is important
Practical experience and self-judgement is a must
Dust, especially the Agarbathi fumes, affects singers. Air circulation should be good.
Avoid eating bitter fruits and very hot items. Eat less salt.

Future plans…
I have an ambition to construct a big professional musical auditorium having a seating capacity of around 5000, on the lines of American Uni-Max theatres. I want to emphasise a lot on the acoustics. Mysore Kala Mandira in Mysore has one such good auditorium in India.

Click here for a profile of Manjula Gururaj




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